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	<title>Bosmat </title>
	<link>https://bosmatnossan.com</link>
	<description>Bosmat </description>
	<pubDate>Wed, 01 Dec 2021 15:15:03 +0000</pubDate>
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		<title>Main</title>
				
		<link>https://bosmatnossan.com/Main</link>

		<pubDate>Wed, 03 Nov 2021 09:20:40 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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		<title>WORKS DIVIDER</title>
				
		<link>https://bosmatnossan.com/WORKS-DIVIDER</link>

		<pubDate>Thu, 04 Nov 2021 17:55:15 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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WORKS
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		<title>Alive Show</title>
				
		<link>https://bosmatnossan.com/Alive-Show</link>

		<pubDate>Thu, 04 Nov 2021 08:20:32 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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	Alive Show

50 min.
During these past couple of years, we are all at a physical and emotional state that we imagine to be similar- social distancing, existential fear and new experiences in the virtual sphere. This primal unification is leading me to address the animal that we are, our uniqueness as a species and the act of art creation within that. What is the nature of art, where does it exist and what is essential, important or fundamental within it. The decay of the freedom of speech and our ability for movement is setting in motion a biological extinction process of art.


In Alive Show, Art, Just as any unique and beautiful organism in nature is struggling to survive, migrating and changing like an endangered species, searching for a place to be.
Photos by&#38;nbsp;David Kaplan 
	
Premiered 15.10.2021, Diver Festival, Tel Aviv, Israel 

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&#38;nbsp;










Dancers: Gon Biran, Tamar Even Chen, Amit Tine, Keren Lurie Pardes, Beatrice Larrivee. Production &#38;amp; Management: Noa Lembersky.&#38;nbsp;Costume Design: Gon Biran. Soundtrack Design: Matan Daskal &#38;amp; Bosmat Nossan.








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		<title>Alive Show Preview</title>
				
		<link>https://bosmatnossan.com/Alive-Show-Preview</link>

		<pubDate>Wed, 01 Dec 2021 14:38:02 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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		<description>︎︎︎
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		<title>Metal</title>
				
		<link>https://bosmatnossan.com/Metal</link>

		<pubDate>Thu, 04 Nov 2021 17:31:48 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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	Metal



































45 min.

Four dancers create figure hybrids of the animalistic and the cultured. The piece takes inspiration from this current era of world plague that bends, isolates and encapsulates the body. The dancers cover themselves with sleeping bags, tents and other fabrics taken from the world of wilderness survival, thus invoking new creatures that exist in a domain somewhere between opera, growl and cough.&#38;nbsp;
 Photos by Orel Ravivo
	










Premiered 5.1.2021, Residesert, Eilot Region Fringe Festival, Israel

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&#38;nbsp;by Bosmat Nossan dancers: Gon Biran, Amit Tine, Beatrice Laarive, Keren Luria Pardes producer: Noa Lembersky&#38;nbsp;

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		<title>Packed</title>
				
		<link>https://bosmatnossan.com/Packed-1</link>

		<pubDate>Wed, 03 Nov 2021 09:17:45 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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	Packed

30 min.
























The essence or perhaps the nature of art is pinned in the belief that it’s not useful. Could it be that during a pandemic, the Israeli institution has neglected and abandoned art due to this very reason? In this piece, art and artists, like other species of nature, are joining the quest for survival. They enter the natural history museum with the pretext of the ‘endangered species’ desperation. It is not surprising that right at this moment, when we are presented with the opportunity to not suppress the body and its transience, this species materialises as a dance company. The species invades the natural history museum, a company crawls between the different packaging options of the medium: moves between the being of the arthropod, the being of the dancer, and the being of still objects. The art of the body is enthralled with the search for resources through the various spaces of the reservation, seeping into the vending machines and restroom faucets.











Made with the generous help of Diver Festival and The Israeli Choreographers Association 




Photos by&#38;nbsp;Anna Semenova
	
Premiered 22-26.12.2020,&#38;nbsp;online screening, Diver Festival, Israel 

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Creating Performers: Ido Barak, Dror Birger, Tamar Even Chen, Shay Kukui, Roni Rahamim, Michiru Shin, Amit Tine Cinematography &#38;amp; Editing: Noa Simhayof Shahaf Producer: Noa Lembersky.&#38;nbsp;Music: Enfantillages Pittoresques: II. Berceuse by Erik Satie, Performed by jean-Yves Thibaudet / Six pièces de la période 1906-1913: No. 1, Désespoir agréable by Erik Satie, Performed by Bojan Gorisek / Avant-dernières pensées: I. Idylle by Erik Satie, performed by Francis Poulenc / Pumpkin Attack On Mommy And Daddy by Xiu Xiu.









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		<title>Packed video preview</title>
				
		<link>https://bosmatnossan.com/Packed-video-preview</link>

		<pubDate>Thu, 04 Nov 2021 08:47:08 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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		<description>︎︎︎
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		<title>Soulty</title>
				
		<link>https://bosmatnossan.com/Soulty</link>

		<pubDate>Wed, 03 Nov 2021 09:17:45 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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	Soulty












50 min.

In Soulty the face is a mask, the voice is sound and body movements are decorative shapes. The performers do not express their selves through the movement but separate their selves from it. They disconnect from facial expressions, movement and voice which usually act as mediators for inner feelings. The voice, the face and the shape of movement do not seek authenticity or manifestation of the individual but emerge out of the body as sculptural elements, costumes through which new figures are composed. Thus, they act as a medium that suddenly channels the voice of the soul, the one that is not confined to an individual but connected to the zeitgeist.



Photos by Yuval Cohen and Maayan Sophia Weisstub



	
Premiered 25.7.21, Beit Haber, Tel Aviv, Israel


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choreography: Bosmat Nossan, performers: Shay Kukui and Roni Rahamim, production &#38;amp; management: Noa Lembersky, soundtrack design: Matan Daskal, dramaturgy: Ido Feder, light design &#38;amp; object of light: Omer Sheizaf, costume design: Kobi Swissa, image by Maayan Sophia Weisstub&#38;nbsp;







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		<title>Soulty video preview</title>
				
		<link>https://bosmatnossan.com/Soulty-video-preview-1</link>

		<pubDate>Wed, 01 Dec 2021 15:15:03 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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		<description>︎︎︎
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		<title>Watsda</title>
				
		<link>https://bosmatnossan.com/Watsda</link>

		<pubDate>Wed, 01 Dec 2021 12:24:21 +0000</pubDate>

		<dc:creator>Bosmat </dc:creator>

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	Watsda























45 min.

A Duet For a Dancer and a Vocalist


The starting point for Watsda is the question:&#38;nbsp;What are we observing when we are looking at Dance?


In the piece, we hear an ongoing and morphing recording of my daughter asking ‘What's that?’ This is the same question we discuss and deal with onstage; it is the same question that haunted me during my days, asking me to define everything, constantly. The same soundtrack inhabits and is constantly present inside of my relationships with creation; the audience is likely also dealing with this very same question in their quest for generating meaning. Throughout the piece, as the body wears and disrobes shapes, I ask to prolong the moments where the viewer understands something about the movement it is observing.


















The origins of the piece come from a solo created in 2014 for a conference at the Weitzman Institute Of Science that dealt with the connection between scientific research processes and movement research processes. &#38;nbsp;




Photos by Ofir Ben Shimon

	











Premiered 1.11.18, Diver Festival, Tel Aviv-Jaffa, Israel






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performers: Noa Lembersky &#38;amp; Bosmat Nossan. costume design: Kim Teitelbaum. light design: Omer Sheizaf. music: Inhaler by Foals / Frozen by Madonna / Home by The Sketches.&#38;nbsp; &#38;nbsp;



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